Jim Power (Loriciel) Review | Amiga Power - Everygamegoing

Amiga Power

Jim Power
By Loriciel
Amiga 500

Published in Amiga Power #15

Jim Power

Jim Power, eh? Sounds like some kind of new super-hero, doesn't it, or maybe a super-efficient games reviewer. You know, the type who could possibly host the tips pages (Move over, Jonathan!) or maybe the letters... [Now wait a minute - Ed]. Then again, it would be just my luck if he turned out only to be a lousy old game hero instead...

And that's exactly what he turns out to be - though less of the lousy, surprisingly enough. While it's true that Loriciel haven't always fared too well in these pages of late (who could forget the so-so Baby Jo, the average Builderland, the frankly hopeless Steve McQueen and the rest), Jim Power looks to be a bit of a turning point. While by no means a classic, it is one of those games that proves more or less impossible to dislike, and one that bodes well for the future - especially when the future would seem to contain products as exciting as Entity.

But back to Jim Power. The gist of the game is to go from left to right (the screen scrolling right to left, you know the drill) through a series of platform sections, shoot-'em-up sections, and end-of-level guardian sections (each successive one with an increased amount of shooting in it), killing everything in sight. Looking rather like Turrican, but playing more like Rolling Thunder, it puts the player in charge of a cool little dude with a baseball cap and meaty-looking gun, who (for the shoot-'em-up sections) can don a rocket pack and take to the skies. He's also got a limited number of smart bombs - which is just as well, because there're 250 screens of game to battle through.

The first thing which you notice about Jim Power is how everything moves so wonderfully smoothly, in a multi-layer parallax kind of way. Each level comes complete with thoughtfully designed level layouts and traps, giant end-of-level guardians to send a shiver up the old spine, and a generally professional feel. It's not, however, a perfect game, and here are some reasons why:

  1. The control method takes far too long to learn. It's almost impossible to move and shoot at the same time, and for the first ten minutes I found myself losing life after life because of it. (Mid-jump control is also pretty minimal, but for some reason, it doesn't irritate too much!) A few hundred lives into the game, you may find the control becomes a close, intimate friend, but it'll take some getting used to...
  2. It's dull (at best) sonically. True, things aren't entirely unpleasant (the spot FX and samples work better than the music), but we're pretty much in McDonald's territory (i.e. they're no great shakes) here.
  3. Okay, the visuals. Apart from the pretty crappy first level, the major drag with Jim Power is the iffy colour palette used to such average effect. It's a shame, when you've got all those nicely drawn graphics and smooth parallax scrolling, that the foreground colours look like the monitor's just been kicked in the RGBs. The problem is worsened by the fact that the sprites are also composed of the same blend of black, green, white and red. (It's a colour scheme Jim, but not as we know it...)

Still, good game design more than makes up for these lapses of presentation. This is one game that definitely has that 'just one more go' factor, largely due to the fact that definitely has that 'just one more go' factor, largely due to the fact that every life lost is entirely down to playing incompetence - there's no 'unfair death syndrome' on view here.

Jim Power then, is one of those toasted marshmallow sort of experiences. It's kind of sweet, rather tasty and mildly addictive, and while it won't change the state of your tastebuds forever, you'll have a pleasant warm feeling inside of a good while afterwards.

The Bottom Line

No ground breaker, but a smooth and silky (if slightly gaudy) platform shoot-'em-up effort. What it lacks in originality it more than makes up for in evidence of sheer effort and good design. Not at all bad.

Mark Ramshaw

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